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42nd Street

42nd Street

Based on the 1932 novel by Bradford Ropes, 42nd Street tells of the great director Julian Marsh and his upcoming production of the musical Pretty Lady.

Based on the 1932 novel by Bradford Ropes, 42nd Street tells of the great director Julian Marsh and his upcoming production of the musical Pretty Lady.

The show starts in New York City in 1933, dance director Andy Lee is auditioning kids for the chorus of a new show called ‘Pretty Lady’. The show’s writers, Bert and Maggie, are pleased with what they see on stage, but they warn the dancers that, the audience will demand some spectacular dancing.

Young hopeful Peggy Sawyer just misses the audition, but Billy – the show’s romantic lead – helps

her see the producer. The producer, Julian Marsh, has no patience for latecomers, and Peggy rushes off the stage. Julian tells Bert and Maggie he’s worried about some of the cast, especially Dorothy Brock, the leading lady. Her last hit was ten years earlier, but her sugar daddy, Abner Dillon, is backing the show. Just then Dorothy and Abner arrive, and Julian suggests that Dorothy audition. Abner defends Dorothy and reminds Julian that Dorothy does not have to try out for anyone as she already has the part.

Realizing she has forgotten her purse, Peggy returns to the stage. Maggie feeling sorry for her invites her to lunch with three of the girls, and the five women dance off stage. As they settle in at the Gypsy Tea Kettle, the girls are astonished by Peggy’s naïveté. They amusingly explain the Broadway facts of life, and dance back to the theatre. The number evolves into an audition for Peggy, who impresses Julian and lands a job in the chorus.

Dorothy and Billy begin rehearsing their big love scene. Abner objects to their kissing and insists they shake hands instead. Peggy, weak and overcome by an exciting day, faints on stage. She is carried to Dorothy’s dressing room, where Pat Denning, Dorothy’s real boyfriend, is waiting. Dorothy walks in, and misreading what she sees, thinks that Pat is two-timing her. Julian suggests that Pat leave town.

The company packs up for previews in Philadelphia, and dress rehearsals begin. After rehearsal, Peggy invites Julian to join her at an impromptu cast party. Captivated by her charm, Julian decides to go. Dorothy, who misses Pat, drinks a bit too much, and tells Abner to take his money and leave. Abner is ready to close the show, but the kids talk him out of it. Pretty Lady opens spectacularly with ‘We’re In the Money’. But when Dorothy rushes onstage for the Act I finale, she is accidentally knocked down by Peggy and can’t get up. Julian, furious, fires Peggy and cancels the rest of the performance.

Act II opens with a doctor telling Julian that Dorothy’s ankle is broken. Julian says he will close Pretty Lady for good, but the cast won’t give up. The cast thinks that Peggy can save the day, and Julian finally agrees. Peggy has already left for the train station, so Julian rushes after her. Telling her to “think of musical comedy, the most glorious words in the English language,” Julian convinces Peggy to return.

Peggy has exactly 36 hours to learn 25 pages, 6 songs, and 10 dance numbers. As Julian says, by the next evening, he’ll have “either a live leading lady or a dead chorus girl!” That opening night Marsh wills Peggy onto the stage with the immortal words, "You're going out there a youngster, but you've got to come back a star!"

At long last, the Broadway curtain opens on Pretty Lady. The show is a spectacular hit, and Peggy Sawyer is hailed as a new star of the stage. Julian leads the entire company in celebrating the glory of ‘42nd Street’

Details of Covid Safety Measures undertaken by the theatre are available here

Book Tickets

Tickets: £21.00*
Box (max 4 people): £80.00*

PLEASE NOTE BOX SEATS HAVE RESTRICTED VIEW OF THE STAGE

*inclusive of £1.00 booking fee

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